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6 # 3), Apri11948 (Vol. 7 # 1), December 1947 (Vol. 6 # 5), August 1946 (Vol. 5 # 4). and June 1948 (Vol. 7 # 2). 36 E S T H E T I Q U E H IH 25C Above: Covers from Rirt February 1953 (Vol. 6 # 1), August 1951 (Vol. 4 # 4), April1953 (Vol. 6 # 2), August 1949 (Vol. 2 # 4), and February 1955 (Vol. 8 # 1). Opposite top: Covers from Beauty Parade: March 1952 (Vol. 11 # 1) and March 1955 (Vol. 14 # 1). Opposite bottom: Covers from Whisper. March 1949 (Vol. 2 # 6), November 1948 (Vol. 2 # 4), and May 1948 (Vol.

Brown & Bigelow 38 E S T H E T I Q U E Brown & Bigelow, the Pin-up Factory ulla sponda sinistra del M ississippi. nella parte s ud-orientale del Minnesota, sorge St. Paul, capitale di quello stato fin dal 1858. Nata net 1820 come insediamento di commerc ianti di pelli, e oggi (insieme con Ia "gemella" Minneapolis) un notevole centro indus triale ed un importante me rcato granario, di bovini e suini. Ma per alme no mezzo secolo, SL Paul c stata anc he (ed e questo che a noi piu interessa) il maggior centro di produzione della pin-up art "made in USA": risale infatti at 1903 Ia pubblicazione, da parte di Brown & Bigelow, di un girlie calendar abbellito da un dipinto di Angelo Asti intitolato Colette.

Paul en 1943. On continua a publier les delicates pin-ups a poi! de~ Mozert pour le public de Brown & Bigelow jusqu'a Ia moitie des annees 60 (lorsque pour chacune d'entre elles, I'artiste touchait de 4000 a 5000 dollars). 'illustration: son affiche pour le film The Outlaw (Le Banni, 1943) avec Ia "bombe sexuelle" Jane Russell fut memorable. 'impact "epidermique" (tout du mains pour ce qui conceme le public masculin), il faut reconnaitre que Zoe Mozert, morte en 1993, fut une des rares artistes femmes (Joyce Ballantyne, Ruth Deckard et Pearl Frush en furent aussi du nombre) qui put survivre aisement dans une branche artistique faite pour les hommes et dominee (tout du mains numeriquement) par Ies hommes.

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3D ORIGAMI by Ikuko Mitsuoka


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