A Handbook of Roman art : a comprehensive survey of all the - download pdf or read online

By Martin Henig

ISBN-10: 080141539X

ISBN-13: 9780801415395

ISBN-10: 0801492424

ISBN-13: 9780801492426

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AD which was diminishing rows of twenty-eight below the dome. P. Panini. Copenhagen, State just Museum of Art. ARCHITECTURE 39 compartments. 12 The factor of seven in that number contrasts with the eightfold layout of the recesses in the wall and of the aediculae between them, a subtle variation in the rhythm of the decoration which seems to detach the dome from the cylinder upon which in fact it rests. The oculus at the top, the sole source of light, draws the eye upwards, but there is also a discreet note of axiality which runs across the rotunda from the entrance to the apse on the opposite side.

Temple ARCHITECTURE. 17. 33 Rome: plan of the Imperial Fora. was scarcely to be expected at have restored the Republic and type. Radical innovation in their design a time when Augustus was claiming was trying Rome's traditional contemporary ideology to re-establish tecture reflected the tism with to new splendour. religious virtues. Archiin The innovation of combining conservaconcrete construction found its place in baths, theatres and amphitheatres, for which there were fewer hallowed precedents, and even then, the new techniques were made acceptable by being dressed in familiar and conventional clothing.

This building at Nimes, so little bound by the conventions of local architectural practice, is a remarkable instance of how ecumenical Roman architecture could be. Nowhere is this more clearh to be seen than in the enormous prestige associated with the use of exotic marble in buildings of the highest quality. It is no accident that it was the conqueror of Macedonia, Q. Caecilius Metellus, who erected in 146 BC the first marble building in Rome, the Temple ofJupiter Stator. Romans of his generation and their immediate successors, brought up in architectural surroundings of sun-dried brick, stuccoed tufa and painted terracottas, were captivated by the glistening magnificence of the Greek cities they had captured.

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A Handbook of Roman art : a comprehensive survey of all the arts of the Roman world by Martin Henig


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